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Discipline rare


Description et objectifs

A) William Carlos Williams, Spring and All (1923), with an introduction by C.D. Wright. New York: New Directions, 2011.

Bibliographie sélective:
AJI, Hélène. William Carlos Williams : un plan d’action. Paris : Belin, 2004.
DIJKSTRA, Bram. The Hieroglyphics of a New Speech: Cubism, Stieglitz and the Early Poetry of William Carlos Williams. Princeton: Princeton UP, 1969.
DI MANNO, Yves. Objets d’Amérique. Paris : José Corti, 2009.
HALTER, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge UP, 1994.
MACGOWAN, Christopher (ed). The Cambridge Companion to William Carlos Williams. Cambridge: Cambridge UP, 2016.
MARIANI, Paul. William Carlos Williams: A New World Naked. New York: McGraw-Hill, 1981.
WILLIAMS, William Carlos. Selected Essays. New York: New Directions, 1969.
———. Selected Letters. Ed. John C. Thirlwall. New York: New Directions, 1957.

B) John Dos Passos, The 42nd Parallel (1930), Boston/New York: Houghton Mifflin, Mariner Books, 2000.

Bibliographie sélective :

BEJA, Alice. "Artfulness and Artlessness; The Literary and Political Uses of Impersonality in John Dos Passos’ USA Trilogy, RFEA 127, 2011, 34-46
MAGNY, Claude-Edmonde. L’Age du roman américain. Paris, Seuil, 1948, repr. 1972.
MARZ, Charles, “USA: Chronicle and Performance”, Modern Fiction Studies 26/3, 1980, 398-415.MOREL, Jean-Pierre, John Dos Passos. Paris: Belin, 1998
SAMMARCELLI, Françoise. “La complexité par le bruit. Lecture de la complexité dans The Adventures of Huckleberry Finn et The 42nd Parallel, Tropismes 12 “Whither Theory”, 2014, 229-243.

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